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Sep 3, 2019
Abstract
This article deals with the results of our research on the elaboration of hybrid narrative objects, whose objective is to identify the strategies used by literary creators as a method to incorporate and interact narrative, non-literary artistic-cultural discourses, to the processes of narrative contemporary fiction, considering politics, economics, fashion, cinema, and the arts in general. The occurrence of the incorporation of these procedures has resulted in the breaking of aesthetic borders, of genres, of cultural and intellectual territories. It also produces a new combination of different pieces of knowledge whose purpose is to translate the increasing complexity of transnational artistic, political, identity and cultural relations, which – at present - are under pressure from a certain form of cultural fundamentalism that almost leads to a necessity and an obligation to be creative and innovative.
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