Contenido principal del artículo

Publicado:
jul 18, 2025
Palabras clave:
Learning Music Through Play
Pedagogía instrumental extracurricular
Compromiso
Bienestar

Resumen

El presente artículo se basa en la conferencia magistral realizada el día 04 de octubre de 2023, durante la XIV Conferencia Regional Latinoamericana y VI Panamericana de Educación Musical en Santiago de Chile. La keynote exploró el potencial transformador del enfoque Learning Music Through Play (LMTP) en la enseñanza musical extracurricular, implementado en la Universidad de juegos (jóvenes) músicos (UJM) A través de la integración de juegos serios, juegos guiados y juegos instrumentales en las lecciones, la UJM busca estimular la creatividad, fortalecer el compromiso con el aprendizaje musical y mejorar el bienestar de jóvenes de 6 a 12 años provenientes de contextos socioculturales diversos. Los resultados, obtenidos de un estudio longitudinal realizado durante dos años escolares, son muy alentadores en términos de creatividad personal e interpersonal (Mini-C y Little-C), y muestran un compromiso sostenido de los jóvenes hacia las actividades interactivas y lúdicas propuestas, así como un bienestar emocional relacionado con la naturaleza divertida y creativa de las lecciones. Aunque las conclusiones confirman la pertinencia del enfoque LMTP, se reconocen limitaciones relacionadas con la especificidad de la muestra y la necesidad de evaluar los impactos a largo plazo. Este keynote tuvo como objetivo destacar la relevancia del aprendizaje lúdico para revitalizar la pedagogía musical extracurricular y resaltar su potencial para crear experiencias inclusivas, atractivas y enriquecedoras para los jóvenes músicos de hoy.

Francis Dubé
Cómo citar
Dubé, F. (2025). El aprendizaje musical a través del juego: crear una experiencia positiva y enriquecedora para los estudiantes. REM. Revista Chilena De Educación Musical, (1), 3–31. Recuperado a partir de https://revistas.umce.cl/index.php/rmcp/article/view/3153

Citas

Barrett, M. S., & Smigiel, H. M. (2007). Children’s perspectives of participation in music youth arts settings: Meaning, value, and participation. Research Studies in Music Education, 28(1), 39–50. https://doi.org/10.1177/1321103X070280010104

Beghetto, R. A., & Kaufman, J. C. (2007). Toward a broader conception of creativity: A case for “mini-c” creativity. Psychology of Aesthetics, Creativity, and the Arts, 1(2), 73–79. https://doi.org/10.1037/1931-3896.1.2.73

Birch, H. J. S., & Woodruff, E. (2017). Technical exercise practice: Can piano students be motivated through gamification? Journal of Music Technology & Education, 10(1), 31-50. https://doi.org/10.1386/jmte.10.1.31_1

Chandler, M. D. (2018). Improvisation in elementary general music: A review of the literature. Update: Applications of Research in Music Education, 37(1), 42–48. https://doi.org/10.1177/8755123318763002

Comeau, G. (2013). Piano pedagogy: A research and information guide. Routledge.

Costa-Giomi, E., Flowers, P. J., & Sasaki, W. H. (2005). Music instruction, academic ability, and learning style: An exploratory study. Psychology of Music, 33(3), 269–283. https://doi.org/10.1177/0305735605053739

Custodero, L. A. (2002). Seeking challenge, finding skill: Flow experience in music education. Arts Education Policy Review, 103(3), 3–9. https://doi.org/10.1080/10632910209600288

Deci, E. L., & Ryan, R. M. (2000). The “what” and “why” of goal pursuits: Human needs and the self-determination of behavior. Psychological Inquiry, 11(4), 227–268. https://doi.org/10.1207/S15327965PLI1104_01

Dubé, F., Marin Jimenez, A. P., Fournier, G., Seboka, S., & Bissonnette, J. (2024, accepted). Let’s Rock Instrumental Pedagogy with Digital and Tabletop Games and Playful Music Learning Activities. In K. Veblen, F. Dubé, J.-P. Després, & S. Messenger

(Eds.), Learning Music Through Play, Routledge.

Dubé, F., Marin Jimenez, A. P., Fournier, G., Seboka, S., & Bissonnette, J. (2024). Tuning creativity and well-being: The influence of playful learning pedagogy on young musicians. Proceeding of the Instrumental & Vocal Music Teaching Commission Pre-Conference

Seminar 2024 (IVMTC), Espoo, Finland.

Evans, P., & McPherson, G. E. (2015). Identity and practice: The motivational benefits of a long-term musical identity. Psychology of Music, 43(3), 407-422. https://doi.org/10.1177/0305735613514471

Fredricks, J. A., Blumenfeld, P. C., & Paris, A. H. (2004). School engagement: Potential of the concept, state of the evidence. Review of Educational Research, 74(1), 59–109. https://doi.org/10.3102/00346543074001059

Hultberg, C. (2007). The printed score as mediator of musical meaning. In G. Folkestad (Ed.), A decade of research in music education (pp. 75-88). Malmö Academy of Music, Lund University.

Ito, M., Baumer, S., Bittanti, M., Boyd, D., Cody, R., Herr-Stephenson, B., Horst, H. A., Lange, P. G., Mahendran, D., Martínez, K. Z., Pascoe, C. J., Perkel, D., Robinson, L., Sims, C., & Tripp, L. (2013). Connected Learning: An Agenda for Research and Design.

Digital Media and Learning Research Hub.

Ito, M., Gutiérrez, K., Livingstone, S., Penuel, B., Rhodes, J., Salen, K., Schor, J., Sefton-Green, J., & Watkins, S. C. (2015). The Class: Living and Learning in the Digital Age. New York University Press.

Juntunen, M.-L. (2017). Using socio-digital technology to enhance participation and creative engagement in a lower secondary music classroom. Nordic Research in Music Education Yearbook, 18, 47–74.

Lin, Y. (2011) Fostering Creativity through Education – A Conceptual Framework of Creative Pedagogy. Creative Education, 2, 149-155. doi: 10.4236/ce.2011.23021.

Margoudi, M., Oliveira, M., & Waddell, G. (2016). Game-based learning of musical instruments: A review and recommendations. Proceedings of the European Conference on Games Based Learning, 425–433.

O’Neill, S. A. (2012). Motivation in music learning. In G. E. McPherson & G. F. Welch (Eds.), The Oxford Handbook of Music Education (Vol. 1, pp. 210–223). Oxford University Press.

O’Neill, S. A. (2013). Arts in action: A study using post-pre surveys of transformative arts/music engagement: Report on Findings. Burnaby, BC: MODAL Research Group

Robert, D. B., Jamri, N. B., Ling, S. H., Amin, A. A. B., & Yazid, F. A. B. (2023). Gamified learning intervention to promote music literacy and creativity in elementary music education. Journal of Cognitive Sciences and Human Development, 9(1), 18–37. https://doi.org/10.33736/jcshd.5481.2023

Ryan, R. M., & Deci, E. L. (2000). Self-determination theory and the facilitation of intrinsic motivation, social development, and well-being. American Psychologist, 55(1), 68–78. https://doi.org/10.1037/0003-066X.55.1.68

Upitis, R., Abrami, P. C., Varela, W., King, M., & Brook, J. (2016). Student experiences with studio instruction. Music Education Research, 19(4), 410–437. https://doi.org/10.1080/14613808.2016.1202221

Webster, P. R. (1990). Creativity as Creative Thinking. Music Educators Journal, 76(9), 22-28. https://doi.org/10.2307/3401073

Zosh, J. M., Hirsh-Pasek, K., Hopkins, E. J., Jensen, H., Liu, C., Neale, D., Solis, S. L., & Whitebread, D. (2017). Learning through play: A review of the evidence. Lego Foundation Research Report.

Detalles del artículo

Artículos similares

1 2 > >> 

También puede {advancedSearchLink} para este artículo.