Teatro, simbolismo y comunicación
Abstract
Paul Claudel, poeta simbolista, enamorado de lo absoluto, en su teatro, espera que todos los factores que intervienen en la representación estén puestos al servicio del mensaje. En La Anunciación a María (1912), plantea el problema de la vocación y la libertad, conforme técnicas propias del ‘Misterio’ medieval. En dicha obra trasmite un mensaje profundamente cristiano, y subraya la importancia del compromiso total del emisor, sea este autor, actor, o un hombre concreto, particular.
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