Main Article Content

Published:
Jun 21, 2019
Keywords:
performance, games, gender, humor, feminism

Abstract

This essay examines a methodological and pedagogical approach to theater as a tool in undergraduate courses through the analysis of “El bigote” and “La casa chica,” two short plays by renowned Mexican playwright, Sabina Berman. Both plays lend themselves for the study of a wide variety of topics related to contemporary drama as well as Latin American feminist discourse, such as power and gender dynamics, machismo and marianismo, consumerism and social classes, as well as the performative nature of gender. To enhance students’ comprehension and to deepen their understanding of topics related to gender identity, students read and analize some texts by Judith Butler, Hélène Cixous, and Michel Foucault.

María Claudia André
How to Cite
André, M. C. (2019). Pedagogical and Methodological Models for Gender Studies in Undergraduate Courses. Contextos: Estudios De Humanidades Y Ciencias Sociales, (45). Retrieved from http://revistas.umce.cl/index.php/contextos/article/view/1457

Downloads

Download data is not yet available.

References

Aita, Sea. 2009. “The Theater in Language Learning (TiLL) Model: ExploringTheater as Pedagogy in the L2 Environment”.ScenarioIII.1 (en línea). Disponible en http://publish.ucc.ie/scenario/2009/01/aita/06/en. [Consulta 08/25/2018].

Andrade, Elba; Hilde Cramsie. 1991. Dramaturgas latinoamericanascontemporáneas: Antología crítica. Madrid: Verbum.

Berman, Sabina. 1998. Entre Pancho Villa y la mujer desnuda / Muerte súbita / El suplicio del placer.Ciudad de México: Escenología.

Bixler, Jacqueline. 2004. Sediciosasseducciones: sexo, poder y palabras en elteatro de Sabina Berman. Ciudad de México: Escenología.

Butler, Judith. 2007. El género en disputa. El feminismo y la subversión de la identidad.Barcelona: Paidós.

Cixous, Hélène; Kuhn, Annette.1981. “Castration or Decapitation.” Signs. Vol. 7, No. 1: 41-55.

Charney, Maurice. 1981. Sexual Fiction.Nueva York: Methuen & Co.

Constantino, Roselyn. 1992. “El discurso del poder en ‘El suplicio del placer de Sabina Berman’”. En Peter Rojas y Mario Roster (eds.), De la colonia a la posmodernidad: teoría teatral y crítica sobre teatro latinoamericano, pp.245-251. Buenos Aires: Galerna.

García Hodgson, Hernán. 2004. Deleuze, Foucault y Lacan. Buenos Aires: Quadrata.

Gladhart, Amelia. 2000. The Leper in Blue: Coercive Performance and theContemporary Latin American Theater.Chapel Hill: University of North Carolina Press.

Moreno, Heladio. 1997.Teatro juvenil.Buenos Aires: Magisterio del Río de la Plata.

Niebylski, Diana. 2008. “Humor in Contemporary Fiction”. En María C. André y Eva P. Bueno (eds.), Latin American Women Writers: An Encyclopedia, pp. 232-234. New York: Routledge.

Richards, Nelly. 1984. La estratificación de los márgenes. Santiago: FranciscoZegers.

Article Details