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Published:
Dec 28, 2020
Keywords:
Marcel Duchamp, Nicanor Parra, Neo-Avant-Gardes, Transatlantic Studies

Abstract

Abstract: Despite the fact that Marcel Duchamp never set foot in Chile (he lived in Buenos Aires a few months between 1918 and 1919), his ascendency over 20th century’s avant-garde and neo-avant-garde movements is undeniable. Parra’s work could not be completely understood without Duchamp’s influence: from his first antipoems until his 21st century’s installations, many of the iconoclastic strategies produced by the French artist are present in the Chilean poet’s creations. This paper opens a dialogue between Parra's and Duchamp's works, from a multidisciplinary and transatlantic perspective, with the aim of underlining the prevalence and fertility of Duchamp’s lineage in the Chilean literary field".

Jesús Cano Reyes
How to Cite
Cano Reyes, J. (2020). Nicanor Parra y la fuente de Duchamp: desacralización, apropiacionismo y la poesía de los objetos. Contextos: Estudios De Humanidades Y Ciencias Sociales, (47). Retrieved from https://revistas.umce.cl/index.php/contextos/article/view/1584

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